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RANE TTM-56S: The world's most popular performance mixer improved
Author: Rane
Published: Sep 14, 2009
RANE TTM-56S: The world's most popular performance mixer improved
Rane takes performance mixer design as seriously as performing DJs take their art form. The TTM 56S is flexible, durable, and feature packed. The audio quality of the TTM 56S qualifies it for use in the most demanding live venue, recording studio or live broadcast applications.
TTM 56 to TTM 56SThe TTM 56 has been the world's most popular battle DJ mixer for many years. The new TTM 56S improves with a universal internal power supply that works almost anywhere in the world (100-240 VAC). All four inputs are now Phono/Line switchable, now letting you plug in 4 turntables or 4 CD players, or any combination. Both 1?4" and 3.5 mm headphone jacks are now provided. The Transform switches are now Kill switches, and the occasionally confusing and rarely-used Mode switches have been removed. Operation is simplified by putting all the controls you need on top, and increasing the width by one inch.
Non-Contact Magnetic Crossfader and Channel FadersRane's patented magnetic fader is the fastest, most accurate, and longest lasting on the planet. The design uses non-contact magnetic position sensor technology previously reserved for the most demanding aerospace and industrial applications. No travel noise - No bleed - Ever! Unlike optical non-contact faders, the magnetic fader is impervious to smoke, moisture, temperature and aging. The electrical performance is totally unaffected by use. The mechanical life of the magnetic fader exceeds 10 million operations.
These magnetic faders know exactly what your hand is doing! A proprietary curve-translation module converts your hand motion into precise audio level control. Each of the Crossfader and Channel Fader controls include a Reverse switch and an independent continuously adjustable Contour control, adjusting from a smooth blend to extremely fast cut.
Post-Fader FlexFxRane's proprietary FlexFx effects loop switches route Program 1 and/or Program 2 to the effects loop. A Wet/Dry pan control gives the user total control of how much processed signal is in the mix. The effects loop is post-fader, so reverb and other delay effects respond to both Channel Faders and Crossfader without cutting off tails.
Stereo MeteringThe TTM 56S features two 10-segment meters with peak-hold. A source switch allows users to select dual-mono Cue or Stereo Master operation. No stress about dropping a channel without knowing.
Auxiliary Input and Output (Session Mix)A stereo Aux Input with a Level control provides input for a session mix, drum machine or other auxiliary input signal. The stereo Aux Output with Level control provides output for session mix, booth monitoring, recording or second zone.
3-Band Accelerated-Slope Full-Cut EQThe TTM 56S provides 3-band, full cut tone controls for Program 1 and Program 2. EQ engage switches allow A/B comparison and the ability to quickly cut or add EQ effect.
Features- Patented non-contact magnetic program faders and crossfader
- Continuously adjustable Contour adjustments for all faders
- Program 1 and Program 2 Input Buses with:
-2 Phono / Line switchable inputs with Kill switch
-Input Gain control
-3-band Accelerated-SlopeTM, full cut (+6 dB to off) EQ
-FlexFXTM effects loop assignment with Wet / Dry control
-Auxiliary (session mix) Input / Output with Level controls - Balanced Mic input withLevel control with:
-2-band EQ and independent Effects Loop
-Independent Balanced and unbalanced Master Outputs - Two 10-segment meters feature peak-hold with:
-Source switch for dual-mono Cue or stereo Master - Headphone monitoring with:
-Master / Cue select switch with Cue Pan control
-Powerful headphone amplifier with Level control
-Top panel is luminescent under black light
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