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Blackmagic Design ATEM Constellation 8K Switcher

Blackmagic Design ATEM Constellation 8K Switcher
Blackmagic Design ATEM Constellation 8K Switcher
Blackmagic Design ATEM Constellation 8K Switcher
Blackmagic Design ATEM Constellation 8K Switcher

Blackmagic Design ATEM Constellation 8K Switcher

Item #113854
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Description

Blackmagic Design ATEM Constellation 8K Switcher

The new ATEM Constellation 8K is an Ultra HD live production switcher with so many features, you can combine them all to make an incredibly powerful 8K switcher! You get 4 M/Es, 40 x 12G‑SDI inputs, 24 x 12G‑SDI aux outputs, 4 DVEs, 16 Keyers, 4 media players, 4 multi viewers, 2 SuperSource and standards conversion on every SDI input! Then when switched to 8K, all these features combine to make a powerful 8K switcher! You even get built in talkback and a professional 156 channel Fairlight audio mixer with EQ and dynamics! That’s an audio mixer so big, you can connect and use a full Fairlight audio console! ATEM Constellation 8K has also been designed as an ideal upgrade for ATEM Television Studio!

Designed for Massive Live Events!
With so many inputs, ATEM Constellation is ideal for concerts and music festivals because you can place cameras on all areas of the stage for amazing coverage! Even live sports benefit from the huge number of inputs and four DVEs let you build multi‑layer compositions to cover the action. The fastest way to produce programming is live! With powerful internal graphics and four ATEM Advanced Chroma Keyers, you get everything you need for complex program production. ATEM Constellation is also perfect for house of worship programming as it has the size to produce professional results, but it’s simple to learn so it’s easy to train volunteer crew!

The Ultra HD Switcher Ready for an 8K Future!
Because ATEM Constellation is so incredibly big, you can use it as a massive HD and Ultra HD switcher, then instantly combine all of these features together to work in native 8K. You get the power of 40 independent 12G‑SDI inputs when working in HD or Ultra HD, or when switched to 8K, these 40 inputs transform into 10 Quad Link 12G‑SDI 8K inputs! Each input even has up and cross conversion! That means you can instantly switch 720p, 1080p, 1080i, Ultra HD and 8K video standards! Plus, you get 4 independent Ultra HD multi views that also transform into a full resolution 8K multi view! Even the keyers, DVE, Super Source and downstream keyers all switch to native 8K!

Seriously Advanced Broadcast Power
ATEM Constellation 8K features a compact 2RU rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so you can see program output and change switcher settings via on screen menus. Although only 2RU size, the rear of the switcher has a massive 40 x 12G‑SDI inputs, 24 x 12G‑SDI aux outputs, plus balanced audio, Ethernet, RS‑422 control and MADI digital audio extra inputs to the internal Fairlight audio mixer. Even with all this power, ATEM Constellation is extremely quiet with its innovative high efficiency thermal system and three low speed cooling fans.

Full Front Panel Control
With a built in control panel, you can simply walk up and take full control of ATEM Constellation at any time. Because it works similar to ATEM Television Studio, it’s a fantastic upgrade when you need a bigger switcher! You get incredible power with both PGM/PVW or cut‑bus style operation. The buttons are the same premium type used on full sized panels, and allow control of transitions, upstream/downstream keyers, media players and fade to black! You also get professional talkback with engineering and production loops, plus an XLR talkback headset connection. But you're never limited, as the LCD menus also allow every single operational feature of the switcher to be accessed!

Massive 40 Standards Converted 12G‑SDI Inputs!
You get 40 independent 12G‑SDI inputs, with each input featuring its own dedicated up and cross converter. That means it’s possible to convert 1080p and Ultra HD sources to stunning 8K to use them in your 8K programs! When used in HD or Ultra HD, you can connect up to 40 different sources in all formats up to 2160p60. When running 8K formats, connect 10 Quad Link 12G‑SDI 8K sources in all formats up to 4320p60! You can even loop out audio channels 1, 2, 3 and 4 from SDI inputs 1 to 30 to the two MADI digital audio outputs, so you can hand off the audio from all switcher sources to an external audio engineer for mixing.

24 Customizable 12G‑SDI Outputs
ATEM Constellation 8K features 24 independently routable 12G‑SDI outputs that can be fully customized. All of these outputs are similar to aux outputs, however they're more powerful because you can route any external SDI input and all internal sources to any of these 12G‑SDI outputs. That’s flexible enough to run independent program feeds, clean feeds, or outputs for on stage projectors and video walls. It’s like having multiple switchers all running at the same time with everyone getting the custom feed they need. All 12G‑SDI outputs contain embedded program audio, plus you get mix minus support, RP‑188 embedded timecode, SDI camera control, tally and talkback.

Choose from Hardware or Software Control Panels
All ATEM switchers feature a wide range of hardware and software control options, plus it’s possible to share control panels between all ATEM models for different live events. Included with ATEM Constellation is a full software based control panel for Mac and Windows. The software connects to the switcher via ethernet and you can control the switcher, upload media, mix audio and control cameras. You can even run multiple copies of the software switcher at the same time! Then, when you need more power, you can add an ATEM Advanced Panel for switching or even an ATEM Camera Control Panel allowing dedicated control of your cameras. There's even a developer SDK for your own custom control solutions!

Includes 8K Multiview with Labels, Tally and Meters
The built in multi views let you monitor multiple sources in a single monitor. You get 4 independent multiview outputs that can each be individually customized or transformed into a single full resolution 8K multiview when you switch to 8K. You get the stunning quality that only an 8K multiview can provide! Plus all external inputs and all internal sources can be routed to any view. Plus each multiview can be independently set to 4, 7, 10, 13 or 16 simultaneous views. Each view also has on screen status including a custom label, VU meters and tally. The four 12G‑SDI multiview outputs support HD and Ultra HD up to 2160p60, and up to 4320p60 via Quad Link 12G‑SDI when switched to 8K.

ATEM Constellation 8K features 4 Ultra HD multiview outputs so you can see up to 64 different views from cameras, program and preview outputs, and more spread across 4 screens!

Broadcast Transitions, DVE, Stingers and More!
ATEM Constellation 8K includes a wide range of broadcast quality 8K native transitions such as mix, dip, wipe, and more. All transitions can be customized by adjusting parameters such as their duration, border color, border width, position and direction. Transitions are even fully 8K native! You also get exciting DVE transitions, perfect for graphic wipes and even stingers when used with the internal media players! To eliminate errors, ATEM Constellation also includes a preview transition feature so you can check your transitions before putting them to air!

Full Resolution 8K DVE
ATEM Constellation features 4 independent Ultra HD DVEs that all work together as a single full resolution 8K DVE when you switch to 8K formats. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, push and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions!

Professional Broadcast Talkback
To keep crews working as a single creative team, ATEM Constellation features built in talkback. Talkback supports a front 5 pin XLR headset connector, as well as a rear RJ45 talkback expansion connector for interfacing with industry standard systems such as ClearCom or RTS. You get full talkback control including program and engineering loops, sidetone control for hearing the headset mic into the headphones and program mix. ATEM Constellation also supports SDI talkback that uses SDI channels 15 and 16 for 2‑way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It’s even possible to mix the talkback mic into the program audio for voiceovers!

Internal Media for Stills and Motion Graphics
The built in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the two media players. Media players simply appear as additional input sources on the ATEM Constellation 8K, so you don’t have to use extra SDI inputs for graphics. For the highest quality, the media pool can hold up to 24 full resolution 8K stills, or 64 Ultra HD or HD stills. Motion graphics clips for use in animations and stingers can be up to 100 8K RGBA frames, 400 frames in Ultra HD or a massive 1,600 frames in 1080HD. You can easily manage all of your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug‑in.

With 40 multi rate 12G‑SDI input connections, ATEM Constellation 8K is compatible with HD, Ultra HD and 8K SDI sources. When working in HD, it's easy to operate at high frame rates up to 720p60, 1080p60 and 1080i59.94 formats. When you switch to Ultra HD, you can work in 2160p formats up to 60 frames per second all using a single 12G‑SDI connection. When switched to 8K it’s now possible to operate in 4320p formats up to 60p using Quad Link 12G‑SDI which allows real time 8K using 4 BNC cables. Only multi rate 12G‑SDI allows switching between HD, Ultra HD and 8K formats so you can instantly adapt to the needs of the job you are doing anywhere in the world!

The First Switcher with Big Professional Audio
ATEM Constellation 8K is the world’s first live production switcher that fully embraces live professional audio production! All SDI inputs are connected to a built in Fairlight audio mixer that features 6 band parametric EQ, compressor, limiter, noise gate and expander on each input. There is even a MADI for an extra 32 input channels into the internal audio mixer. ATEM Constellation 8K can even be connected to a professional Fairlight mixing console! Plus, there are 2 MADI outputs for breaking out channels 1, 2, 3 and 4 of the first 30 SDI inputs out for an external audio engineer. You can even mix audio from analog inputs, talkback microphones for voice over and more!

With a built in Fairlight audio mixer, the ATEM Constellation makes it possible to do extremely complex live sound mixing. The internal mixer features a massive 156 channels, for the biggest audio mixer in a live production switcher! 80 mixer channels are de‑embedded from the SDI inputs, while an extra 64 audio channels are input via MADI in. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. You get extra channels for the analog input, talkback microphone and media players. All this audio power can be controlled via the ATEM Software Control, a Mackie compatible panel or Fairlight Audio Console.

Includes Free Software Control Panel
The ATEM Software Control Panel gives you total control over your switcher and is included free. ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet and all work on different parts of the event at the same time! The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. Plus you can run the software on Mac or Windows!

Add the Speed and Power of an ATEM Hardware Panel
All ATEM switchers have a wide range of control panels allowing customization for the kind of work you do. ATEM hardware control panels feature a fast program/preview style which is the industry standard for switcher control. All transitions have direct access buttons and a t‑bar is included when performing manual blending of transitions. For accurate control of the DVE, a joystick provides X, Y positioning and rotate for DVE zoom. Then you can use the LCD menus to control features that don't have dedicated knobs and buttons. You can even setup and trigger Macros right from the panel! The ATEM panels feature internal power supplies as well as an IEC AC power connection.

Get Industry Standard Professional Camera Control
The new ATEM Camera Control Panel provides 4 industry standard camera controllers for the same workflow as camera chains costing hundreds of thousands of dollars! Designed to be portable, ATEM Camera Control Panel can be placed on a desktop or on a slide out rack shelf. All control commands are sent to the cameras using the SDI camera control protocol which is supported by cameras such as Blackmagic URSA Broadcast and Blackmagic Studio Cameras. You get dedicated controls including CCU style joystick and controls for RGB camera color, master gain, black, iris and more. Plus all controls are arranged in a familiar broadcast layout perfect for both experienced or new operators!

Features:

  • ATEM live production switchers have an amazing choice of transitions including Cut, Mix, Dip and Wipe patterns. The ATEM Constellation 8K also gives you key frame based DVE moves, flying graphics and animated stingers! Every transition is instantly available and you get full control of the transition type, pattern, length and more. With so many creative options you can always find the perfect 'on air' style, so there's no limit to the combination of exciting effects you can create!
    • Cut: The cut transition is the most simple and widely used of all transitions and you will use it continuously! When you press the cut button, ATEM instantly changes from current program source to the preview source precisely at the moment you hit the button. Cuts can be performed by directly selecting sources on the program bus or more commonly by pressing the cut button to transition to the next source lined up on the preview bus. Cut is easily the most popular transition!
    • Mix: One of the most elegant transitions in live production is the dissolve or mix transition. Gradually transitioning from one source to the next by creating a smooth blend between the sources brings out the emotion in your production. You can simply press the auto transition button to automatically trigger a mix between shots at a pre‑set transition rate. You can use the t-bar to manually blend the transition for the perfect live mix.
    • Dip: Similar to mix transitions, a dip transition is a gradual blend from source to source however, the transition dips to an intermediate third source before completing the transition to the next shot. You can choose to dip to any color, a graphic from the media players or even a live video source. Use black or white for the intermediate source for incredible creativity! For sponsored live productions like sports events, use dip transitions to flash up a sponsor's logos during the broadcast!
    • Wipe Patterns: ATEM Production switchers have 18 built in wipe patterns, which let you create over 100 different styles of wipe transitions! You can use circles, diamonds, squares and more to transition from one source to another as you gradually expand the shape to reveal the next source. Patterns can be inverted, softened or have customized colored borders. You can also insert live video into borders creating wipe pattern transitions that include three live video streams at the same time!
    • DVE: ATEM Constellation 8K has 4 DVEs in HD and Ultra HD, or a single DVE in 8K. You can push or squeeze your live video from one camera to the next with incredible built in DVE transitions. DVE transitions can be flip flopped and reversed giving you even more transition options. You get over 19 exciting DVE preprogrammed moves to choose from. Using the DVE for transitions will increase the production value on any live production!
    • Graphic: When you want to combine sponsor logos with transitions during a live production, graphic transitions are the perfect solution! Use the DVE to create amazing flying graphic effects and logo wipe transitions. You can create high resolution logos in Photoshop CC using the included plug‑in to load directly into the ATEM media pool. Photoshop CC graphics with premultiplied keys are perfect for smooth flying logos in the highest quality, as your logo moves across the screen, the shot transitions with a hidden wipe under the flying graphic!
    • Stinger: You can create exciting eye popping Stinger transitions by combining live video with animated graphics and sound effects. When you trigger a Stinger, your animation is instantly played back from a media player and keys over the live video as it wipes to the next shot. You also get simultaneously mixed sound effects with the live program output. Stingers are widely used for live sports broadcasts as great transitions to instant replays and back to the live action!
    • Upstream Keyers: Amazing multi layer live action: All ATEM live production switchers include powerful upstream keying for amazing broadcast effects! Layer live video, titles, graphics and animation over live video or graphic backgrounds with incredible quality using chroma, luma, linear and pattern keying. The ATEM Constellation 8K has 4 advanced keyers for each M/E! That’s a massive 16 independent chroma keyers which means you can create mind blowing broadcast quality multi layer effects for your production.
    • Luma Key: Luma keys are sometimes known as a self key because the same video source is used for cutting the key and overlaying the video image. You can do this with live video from a camera, prerecorded video from a HyperDeck or graphics loaded in the media pool. Luma keys work the best with high contrast images like white elements on a black background, so that you can use the contrast to cut the black background and replace it with live video or broadcast graphics.
    • Linear Key: Get incredibly clean, high quality results with Linear keying by using two separate sources for the fill and the key to create one video image! The fill signal contains video to be stacked over the background, while the key signal contains a grayscale mask to cut out or mask the area to be filled. Fill and key signals can be graphics from the media pool, live motion video, or video and key from an external character generator or graphics system.
    • Chroma Key: Used every day for TV weather forecasts, chroma keys are a very powerful way of combining live images together in real time, cleanly in high quality! The presenter stands in front of typically a green or blue background, and the chroma keyer will remove only that color and combine it with another image such as a prerecorded video or graphic. ATEM Switchers include multiple keyers so you can simultaneously combine multiple live, prerecorded, graphic and chroma key elements in real time.
    • Pattern Key: Create amazing transitions with the pattern key! You can use any one of the 18 built in wipe patterns to combine live images or graphics with geometric shapes. The pattern keyer gives you full pattern control including softness, symmetry, size and position completely independent of the transition block. That means you can use pattern keys to create picture in picture effects that can be transitioned to as easily as any live camera source, and you don't need to tie up your DVE!
    • Downstream Keyers: Add bugs, logos andlower thirds: ATEM Constellation 8K features 4 downstream keyers so you can insert high quality graphics like logos, bugs and titles over the live 'on air' program output. Downstream keyers are the last layers of keying so they overlay all video switched to the main program. You can also easily bypass the downstream keyers by using the clean feed aux outputs. This means you can record the clean feed as your master and use the downstream keyers for overlays that you only want on air.
    • DVE: Move, resize, scale and rotatelivevideo instantly!: Perfect for live breaking news production, the DVE lets you create live crosses from the studio to the excitement on location. Create picture in picture effects with both the studio host and location reporter combined as one video output. The high quality DVE gives you control of size, position, and features 3D borders, drop shadows and lighting! You can save customized DVE positions and automatically trigger the picture to animate full screen or zoom as the live interview concludes.
    • Audio Mixer: Mix cameras and audio inputs withthebuiltinaudio mixer!: ATEM's built in audio mixer is incredibly powerful and easy to use! Open the audio mixer control tab on your Mac or PC and you get complete multi track mixing control with level meters! You can direct camera and external audio with precision level and balance adjustments, enable and disable channels or activate audio follow video mode instantly. You can also connect to Mackie™ standard USB audio mixer panels, giving you hardware feedback and the feel of flying faders and meter displays.
    • SuperSource: The advanced ATEM Constellation 8K features two amazing SuperSource layers built in!: In addition to 4 full M/E’s, keyers and DVE, you get an additional 8 independent DVE channels so you can resize and position live cameras, video replays, broadcast graphics and more. SuperSource is like having an additional multi layer VFX switcher built in! Imagine being able to take a satellite video feed from 8 different locations to create multi camera interviews or a picture in picture live broadcast!
    • Multi View: Includes HD, Ultra HD or 8K Multi View with labels, tally and meters!: ATEM live production switchers let you connect loads of sources and monitor them all at the same time using the built in multi view. Multi view makes it easy to see your cameras, graphics, preview and program outputs on a single screen. The advanced ATEM Constellation 8K features 4 independent multiview outputs that can each be individually customized or transformed into a single full resolution 8K multiview when you switch to 8K. Each multiview can be independently set to 4, 7, 10, 13 or 16 simultaneous views. Each view also has on screen status including a custom label, VU meters and tally.
    • Multiple TelevisionStandards: Switch television standards foranytypeoflive production: ATEM gives you the flexibility to work in different standards at any time! Most live production is currently being produced in HD or Ultra HD, and now you can work in the new 8K standard whenever you need. ATEM Constellation 8K is designed to operate in virtually any HD, Ultra HD and 8K television format, so you can operate in the HD or Ultra HD television format you need today, and then instantly switch over to 8K in the future! That’s a true future proof design!
    • Photoshop CC Plug‑in: Create and download graphics directly to your ATEM: With the included Photoshop CC plug‑in, you can create graphics live and then instantly download them into the ATEM media pool. Most graphic designers know and use Photoshop CC every day and now you can use their creative skills on your live production! Designers can create professional broadcast graphics such as logos, lower thirds, scorecards and other real time graphics that can be downloaded directly to the media pool. Now you can instantly change live graphics in seconds!

Specifications:

    Connections

  • Total Video Inputs: 40 x up to Ultra HD / 10 x in 8K
  • Total Video Outputs: 28 x up to Ultra HD / 7 x in 8K
  • Total Aux Outputs: 24 x up to Ultra HD / 6 x in 8K
  • SDI Rates: 1.5G, 3G, 6G, 12G
  • Total Audio Inputs: 2 x balanced 1/4 inch Jack, 1 x 32 stereo channel BNC MADI in.
  • Total Audio Outputs: 2 x balanced 1/4 inch Jack, 2 x 32 stereo channel BNC MADI out.
  • Timecode Connections: None
  • Reference Input: Tri-Sync or Black Burst.
  • Video Input Re-sync: On all 40 inputs.
  • Frame rate and format converters: On all 40 inputs.
  • SDI Video Inputs: 40 x 10-bit 720p, 1080i, 1080p, 2160p and 10 x 4320p switchable.
  • Extra Audio Outputs: 1 x 5 pin XLR Talkback.
  • SDI Audio Outputs: 2 Ch embedded into SDI output on all outputs.
  • Extra Audio Inputs: 1 x 5 pin XLR Talkback.
  • SDI Program Outputs: Any of the 24 SDI outputs.
  • Down Converted SDI Program Output: None
  • SDI Preview Outputs: Any of the 24 SDI outputs.
  • Total Multi Views: 4 x up to Ultra HD / 1 x in 8K
  • SDI Multi View Outputs: 4
  • HDMI Multi View Outputs: None
  • Control Panel Connection: Ethernet supports 10/100/1000 BaseT. Allows direct connection between panel and chassis, or via network.
  • Internal Timecode Generator: Yes
  • Tally Output: Added via ethernet connection to Blackmagic Design GPI and Tally Interface product. (Not included).
  • Computer Interface: 1 x USB 2.0 port.
  • Standards

  • SD Video Standards: None
  • HD Video Standards:
    • 720p50, 720p59.94
    • 1080i50, 1080i59.94
    • 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p50, 1080p59.94
  • Ultra HD Video Standards: 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p50, 2160p59.94
  • 8K Video Standards: 4320p23.98, 4320p24, 4320p25, 4320p29.97, 4320p50, 4320p59.94
  • SDI Compliance: SMPTE 292M, SMPTE 296M, SMPTE 424M, SMPTE 425M Level A and B, SMPTE 2081-1, SMPTE 2081-10, SMPTE 2082-1 and SMPTE 2082-10, SMPTE 2082-12.
  • Video Sampling: 4:2:2
  • Color Precision: 10-bit.
  • Color Space: REC 601, REC 709, REC 2020.
  • SDI Auto Switching: Automatically detects between level A and level B 3G-SDI, 6G-SDI and 12G-SDI. Requires 2SI in 8K mode.
  • Product Specifics

  • Upstream Keyers: 16 x up to Ultra HD / 4 x in 8K with Chroma/Linear/Luma key.
  • Downstream Keyers: 4 x up to Ultra HD / 2 x in 8K.
  • Advanced Chroma Keyers: 16 x up to Ultra HD / 4 x in 8K.
  • Talkback Support: Yes
  • Mix Minus Support: Yes
  • Linear/Luma Keyers: 21 x up to Ultra HD / 7 x in 8K
  • Transition Keyer (Stinger/DVE): 4 Stinger, 4 DVE .
  • Total Number of Layers: 28 x up to Ultra HD / 7 x in 8K
  • Pattern Generators: 21 x up to Ultra HD / 9 x in 8K
  • Color Generators: 2
  • DVE with 3D Borders & Drop Shadow: 4 x up to Ultra HD / 1 x in 8K
  • Control Panel: Front fascia emergency switching, software or optional hardware panel.
  • Routable Windows: 64 x up to Ultra HD / 16 x in 8K
  • Tally: Red for program and green for preview indication.
  • Windows Source Labels: Yes
  • Multi View Monitoring

  • Multi View Monitoring: 4 x 16 Multi View pattern options for up to 64 total views.
  • Multi View Video Standard: Select HD, Ultra HD or 8K.
  • Media Player

  • Media Players: 4 x up to Ultra HD / 1 x in 8K
  • Channels: Fill and key for each media player.
  • Media Pool Still Image Capacity: 64 x up to Ultra HD / 24 x in 8K with fill and key.
  • Media Pool Clip Capacity: 4 x up to Ultra HD / 2 x in 8K with fill and key.
  • Media Player Clip Length in 720 HD: 3200 frames.
  • Media Player Clip Length in 1080 HD: 1600 frames.
  • Media Player Clip Length in Ultra HD: 400 frames.
  • Media Player Clip Length in 8K: 100 frames.
  • Media Pool Still Image Format: PNG, TGA, BMP, GIF, JPEG and TIFF.
  • Media Pool Video File Format: TGA Sequence.
  • Media Pool Audio File Format: WAV, MP3 and AIFF.
  • Display

  • Interface: Minimum monitor resolution of 1366 x 768.
  • Front panel: Built in HD LCD monitor for video, 42 LED buttons for setup and emergency switching, 8 source buttons, 4 transition buttons, 6 talkback selection and mix buttons, menu control knob and set button, front panel lock button.
  • Processing

  • Processing Delay: < 7 lines in up to Ultra HD / in 10 lines in 8K
  • Audio Mixer:
    • 156 Channel mixer
    • Selectable On/Off/Audio-Follow-Video.
    • Level and Peak metering.
    • Master gain control.
    • 6 band parametric EQ, Dynamics including Expander, Gate, Compressor and Limiter.
  • Down Conversion: None
  • Software

  • Control Panel Included: ATEM Software Control Panel included free for Mac 10.13 High Sierra, Mac 10.14 Mojave or later and Windows 8.1 64-bit or Windows 10 64-bit.
  • Software Updates: Using USB 2.0 connection directly connected to Mac OS or Windows computers. Includes ATEM Setup Utility.
  • Configuration: Set via ATEM Software Control Panel, excluding ATEM chassis IP address which is set via the ATEM Setup Utility connected via USB to chassis.
  • Operating Systems

  • Mac 10.13 High Sierra,
    Mac 10.14 Mojave or later.
  • Windows 8.1 64-bit or Windows 10 64-bit.
  • Power Requirements

  • Power Supply: 2 x Internal 100 - 240 AC.
  • Power Usage: 300W
  • Physical Installation

  • Physical Installation: 2 Rack Unit Size.
  • Environmental Specifications

  • Operating Temperature: 0° to 40° C (32° to 104° F)
  • Storage Temperature: -20° to 60° C (-4° to 140° F)
  • Relative Humidity: 0% to 90% non-condensing
  • What's Included

  • ATEM Constellation 8K
  • SD card with software and manual
  • Warranty

  • 12 Month Limited Manufacturer's Warranty.
… [ More ]
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