




Designed as the ideal preamp for any application, the tube driven TPS II and DPS II add warmth and texture to any audio source. These two-channel high performance preamps use a hand selected 12AX7A tube in the low noise input circuitry. This, coupled with ART's proprietary V3 (Variable Valve Voicing) and variable input impedance allow the TPS II and DPS II to deliver incredible performance from cost effective single space rackmount solutions.
V3 provides optimized reference points to begin the recording process. The V3 presets were created and fine-tuned by some of the industry's top studio and live-sound engineers. V3 technology allows you to select between a multitude of presets designed for guitars (electric and acoustic), keyboards, bass guitars, drums, vocals and more.
Variable input impedance increases the sonic potential of the TPS II & DPS II even further. It delivers entirely new sonic textures and tone by varying the input impedance of the preamp, which in turn varies the way the microphone reacts to the load of the preamp. This creates a wide range of new sonic possibilities with any modern or vintage condenser, ribbon or dynamic microphone.
The variable impedance control is infinitely variable allowing much finer control and the ability to tune the preamp to the microphone's ideal sweet spot. A feature usually only available on far more expensive and exclusive microphone preamps.
The DPS II and TPS II can accept up to +20dB peaks while maintaining over 120dB dynamic range with incredibly low distortion. Input LED metering monitors the signal level of the input amplifier so maximum gain can be achieved without clipping the preamp at the input.ART's OPL (Output Protection Limiter), which precisely and accurately controls and maintains the output peak signal. The OPL circuitry is crucial in protecting the next link in a signal chain - such as a hard-disk recording system or a sound card - because unlike analog clipping that sounds musical and sometimes pleasing, digital clipping is nasty and often fatal for your monitors' tweeters.
A versatile insert loop on each channel provides access for additional signal processing or direct access to our high quality A/D converter. Separate gain controls on analog and digital outputs allow you to optimize the unit for simultaneous applications.
Your products are guaranteed to be free from defects and carry a full warranty as described by the manufacturer. In the event of receiving defective or damaged products you should contact the manufacturer to coordinate a repair or replacement. All Sales are final. In the event that a product needs to returned to PSSL, you must contact us in advance for a Return Authorization number at 800-268-5520 or help@pssl.com. Products received without a Return Authorization number will be refused.
*Return And Exchange Exceptions: No returns or exchanges on computers, Apple products, CD or DVD duplicators, clothing, lamps, bulbs, opened effects juice, gels, videos, cartridges, styluses, carpet, LPs, CDs, bulk-cable, blank cassettes and CDs, slipmats, software, microphones, headphones, mouth pieces or any other expendable supplies. No refunds: On bubble, haze or fog machines or lighting equipment. They may be exchanged for same or greater value of the same type of item. THERE IS NO CREDIT FOR SHIPPING AND HANDLING FEES. All approved returns must be in new condition with all original boxes, accessories and packaging, or they will be subject to a minimum 25% restocking fee. Any returns unclaimed for over 30 days will be discarded. Gear that has been rack mounted, damaged gear due to misuse and any product that looks used and cannot be re-sold as new, will automatically be evaluated for a minimum 25% restocking fee. All returns will be processed within 72 hours of receipt.