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I/O Stage Box with 8 Remote-Controllable MIDAS Preamps, 8 Outputs, AES50 Networking and ULTRANET Personal Monitoring Hub
Features:Digital mixing has revolutionized virtually everything in the live- entertainment production workflow. Now we've come up with the perfect solution for connecting the onstage talent with your Front of House (FOH) console, and the rest of the world - the ultra-cool and ultra-affordable SD8 Stage Box! The SD8 provides 8 MIDAS-designed remote-controllable mic preamps, 8 balanced analog XLR returns at the stage end, plus an integrated 2-port ULTRANET distribution hub for direct connection to our P16-M personal monitor mixers - without any additional hardware required. Plus the SD8 is extremely compact and comes with rugged protective bumpers, so you can toss them directly on stage wherever you need them. The best part - all it takes is a single Cat 5e cable per stage box. And If you need more inputs, or just want to keep your cable runs short and tidy, putting an SD8 at stage front and another behind the drum riser gives you an additional 8 inputs for drum and guitar/ bass amp mic'ing.
When used as part of a complete X32 system, as many as three SD8 Stage Boxes can be cascaded via the built-in AES50 ports to provide up to 24 bidirectional inputs and 24 balanced XLR outputs. An onboard ULTRANET distribution hub provides power and 16 channels of audio to 2 BEHRINGER POWERPLAY P16-M personal monitor mixers per SD8, all via inexpensive Cat 5e cabling - and without any additional hardware. Two of the programmable inputs are also compatible with Hi-Z sources, so you can connect keyboards, acoustic and bass guitars, etc., with no DI box required. The SD8 also features a USB port for fast and easy system updates via your PC.
MIDAS - The Legend in Sound QualityEver since its formation in the 1970s, MIDAS has had a long history of innovation and leadership in the world of audio mixing consoles. Employed by the most famous touring acts and installations world-wide, legendary MIDAS consoles such as the XL4 and Heritage H3000 quickly became industry standards.
MIDAS has earned their impeccable reputation due to their no-compromise approach for audio and build quality and in particular for their Award-winning Mic Preamps which are considered by industry experts as the industry's best sounding designs. Building on this legacy, the XL8 and PRO Series of Live Mixing Systems continue this great heritage of Award-winning audio quality. The Behringer SD8 incorporates a MIDAS designed mic preamp for the ultimate in high-quality audio reproduction in both live and studio environments.
Remotely Controllable Preamps Make Setup a BreezeThe SD8 Stage Box is a studio/live sound engineer's dream come true. Setup is extremely easy, with virtually all parameter control taking place at the console - including the award-winning MIDAS-designed mic preamps, +48 V phantom power, destination routing, etc. Just put the SD8 where you want it, run a few Cat 5e, mic and instrument cables - and head for the console. The SD8 makes setting the stage up virtually foolproof!
8 Servo-Balanced XLR OutputsThe SD8 features 8 XLR balanced outputs, allowing you to connect to your amp racks, active loudspeakers and monitors. Thanks to its reference-class Cirrus Logic 24-bit converters, SD8's digital operation eliminates even the slightest possibility of Radio Frequency Interference (RFI) and crosstalk. You get ultra-pristine audio performance, no matter your application - something unheard of in this class!
ULTRANET - Seamless IntegrationThe world-renowned engineers at MIDAS, KLARK TEKNIK, TURBOSOUND and BEHRINGER have all come together to create something truly innovative that will change your live and studio workflow forever - welcome to ULTRANET. This revolutionary technology seamlessly transmits up to 16 independent channels of 24-bit digital audioand control data via a single Cat 5e cable between compatible digital devices - including mixers, I/O stage boxes, powered loudspeakers and personal monitoring systems. Advantages realized through ULTRANET digital networking, versus traditional analog methods, include: all audio signals are impervious to Radio Frequency Interference (RFI); signal crosstalk is eliminated, and ease of use translates directly into a significant amount of time saved during show setup or installation.
ULTRANET effectuates a powerful digital eco-system that gives you unparalleled control over every element of your audio production environment from one convenient location.
KLARK TEKNIK AES50KLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the SD8 its high-capacity, ultra-low latency digital interconnectivity, as well as superbly simple deployment and ease of use. KLARK TEKNIK engineers worked hand-in-hand with BEHRINGER to ensure the SD8 meets, or exceeds, the requirements of live entertainers and their professional audio engineers. Some of the outstanding features are:
As you can see, the SD8 is an extremely versatile 8 x 8 digital stage box solution with remote- controllable MIDAS-designed mic preamps, KLARK TEKNIK's AES50 connectivity and a wealth of other professional-grade features - all at a price anyone can afford! Built tough enough to withstand the rigors of the road, the SD8 connects to FOH with a single, inexpensive Cat 5e cable. Now you can have the missing link between the stage and FOH at a fraction of the cost of competing systems - and we back it with a comprehensive warranty program.
You Are CoveredThe Behringer SD8 is confidently backed up with a generous 3-Year Warranty program.
Your products are guaranteed to be free from defects and carry a full warranty as described by the manufacturer. In the event of receiving defective or damaged products you should contact the manufacturer to coordinate a repair or replacement. All Sales are final. In the event that a product needs to returned to PSSL, you must contact us in advance for a Return Authorization number at 800-268-5520 or help@pssl.com. Products received without a Return Authorization number will be refused.
*Return And Exchange Exceptions: No returns or exchanges on computers, Apple products, CD or DVD duplicators, clothing, lamps, bulbs, opened effects juice, gels, videos, cartridges, styluses, carpet, LPs, CDs, bulk-cable, blank cassettes and CDs, slipmats, software, microphones, headphones, mouth pieces or any other expendable supplies. No refunds: On bubble, haze or fog machines or lighting equipment. They may be exchanged for same or greater value of the same type of item. THERE IS NO CREDIT FOR SHIPPING AND HANDLING FEES. All approved returns must be in new condition with all original boxes, accessories and packaging, or they will be subject to a minimum 25% restocking fee. Any returns unclaimed for over 30 days will be discarded. Gear that has been rack mounted, damaged gear due to misuse and any product that looks used and cannot be re-sold as new, will automatically be evaluated for a minimum 25% restocking fee. All returns will be processed within 72 hours of receipt.