Mackie 1604-VLZ PRO 16-Channel Audio Mixing Board Alternatives

Mackie 1604-VLZ PRO 16-Channel Audio Mixing Board

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Unfortunately the Mackie 1604-VLZ PRO 16-Channel Audio Mixing Board is no longer available. This page is here for reference. Check out the great alternatives on this page, or contact us to speak with one of our sales advisors about similar products.

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Unfortunately the Mackie 1604-VLZ PRO 16-Channel Audio Mixing Board is no longer available. This page is here for reference. Check out the great alternatives on this page, or contact us to speak with one of our sales advisors about similar products.

Need help? Contact our product specialists.

Description

Mackie 1604-VLZ PRO 16-Channel Audio Mixing Board

The 1604-VLZ PRO is the latest update of our CR1604-VLZ, incorporating our new ultra-high quality XDR™ (Extended Dynamic Range) mic preamps with the best RFI rejection of any compact mixer design on the market and maximum freedom from ground loops. Like all Mackie mixers, the 1604-VLZ PRO is designed for rugged, 24-hour-a-day use. It is a supremely flexible mixer, not just because of its multiple input/output configurations, but because of its true 4-bus architecture, 6 aux sends (with 3-4/5-6 shift switch), and extensive routing capabilities.

Features:

  • 16 low noise/high headroom XDR™ (Extended Dynamic Range) XLR mic inputs with the best RFI rejection of any compact mixer design and maximum freedom from ground loops.
  • 16 balanced/unbalanced mono line inputs
  • True 4-bus design
  • Multi-way physical confi guration via rotatable I/O pod, or optional RotoPod Kit (RP1604-VLZ)
  • Inserts on all channels
  • Direct outs on channels 1–8
  • 3-band EQ with sweepable mids
  • 75Hz, 18dB/oct. Low Cut fi lter on each channel
  • PFL/AFL (Solo In-Place) on all channels (global)
  • Very Low Impedance (VLZ) architecture
  • Control Room/Phones source matrix
  • 6 aux sends, 2 with master level controls
  • Wide input gain range with “virtual pad”
  • Stereo main outputs plus mono main output with separate level control
  • Balanced inputs and outputs (except RCAs, phones & inserts)
  • Level set LED and marker

Specifications:

  • Mic Preamp
    • Equivalent Input Noise (20Hz–20kHz):
      • 150Ω –129.5dBu
      • 50Ω –131.0dBu
      • 0Ω –134.5dBu
    • Frequency Response:
      • –1dB 5Hz–100kHz
      • –3dB 3Hz–192kHz
    • IM Distortion (4:1 SMPTE),35dB gain: 0.0008%
    • Harmonic Distortion (20Hz–20kHz), 35dB gain: 0.0007%
    • Gain:
      • Max +60dB
      • Min 0dB or Unity
    • Max Input: +22dB
    • Input Impedance: 1.3kΩ
    • Common Mode Rejection: > 90dB
    • Common Mode Rejection Ratio: > 140dB
  • Main Mix Noise1
    • Main Mix fader @ unity, ch. faders down: –90.5dBMain
    • Mix fader @ unity, ch. faders @ unity: –88.0dB
  • Total Harmonic Distortion (THD)2: 0.005%
  • Attenuation (Crosstalk)3
    • Channel Mute switch engaged: –84dBu
    • Channel Fader down: –84dBu
  • Frequency Response4
    • 20Hz to 60kHz: +0dB/–1dB
    • 20Hz to 100kHz: +0dB/–3dB
  • Other Maximum Levels
    • All other inputs: +22dBu
    • Main Mix 1⁄4” TRS outputs: +28dBu
    • All other outputs: +22dBu
  • Other Impedances
    • Channel Insert return: 2.5kΩ
    • All other inputs: > 10kΩ
    • Tape out: 1.1kΩ
    • All other outputs: 120Ω
  • EQ
    • High Shelving: ±15db @ 12kHz
    • Mid Peaking: ±15dB, sweep 100Hz–8kHz
    • Low Shelving: ±15db @ 80Hz
    • Low Cut Filter: 18dB/octave, –3dB @ 75Hz
  • Power Consumption: 120VA.C., 50/60Hz, 50 watts
  • Physical
    • Dimensions:
      • Height: 17.6"(447.0mm)
      • Width: normal(17.3"(442.0mm)), recessed(19.0"(482.6mm))
      • Depth: normal(5.0"(127mm)), recessed(5.6"(142.2mm))
    • Weight: 20 lbs. (9.1kg)

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