Rupert Neve Design Shelford Mic Preamp with EQ and Compression

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Description

Rupert Neve Design Shelford Microphone Preamplifier with EQ and Compression

The Shelford Channel is built around Rupert Neve’s first new transformer-gain, class-A microphone preamplifier in over 40 years, a “best-of-the-classics” inductor EQ section, a tone-packed diode bridge compressor, the power of variable Silk saturation, a new dual-tap transformer output stage, and twice the operating voltage of vintage designs.

Features:

  • XLR Microphone, Line & 1/4" DI Inputs
  • XLR Line Output and -6 dB Line Output
  • 1/4" Side Chain Send and Return
  • High, Low-, and Mid-Frequency Control
  • VU Meter Calibrated in dB
  • Texture for Tuning of Harmonic Ratio
  • Phase Inverts the Polarity of the Signal
  • 48V Phantom Power for Mic Input
  • Ground Lift Switch
  • Includes Power Cable

Specifications:

  • MIC PREAMP:
    • INPUT IMPEDANCE: 2200 Ohm
    • MAXIMUM INPUT:
      • +21.5 dBu from 150 Hz to 22 kHz
      • +8 dBu 20 Hz to 22 kHz
    • NOISE:
      • Un-weighted, 22 Hz-22 kHz, source impedance 150 Ohm balanced.
      • Main Out @ unity gain -100.9 dBu
      • -6 dB Out @ unity gain -106.6 dBu
      • +30 dB gain (Main Out) -91.37 dBu
      • +66 dB Gain (Main Out) -64.1 dBu
      • Equivalent Input Noise -121.37 dBu
    • FREQUENCY RESPONSE: +/-0.25 dB from 17 Hz to 45 kHz
  • DIRECT INPUT:
    • MAXIMUM INPUT: 8 dBu @ 20 Hz to 120 kHz
    • NOISE (MAIN OUTPUT): -100 dBu (22 Hz to 22 kHz)
  • LINE INPUT:
    • MAXIMUM INPUT LEVEL: +30.5 dBu 20 Hz to 30 kHz
    • TOTAL HARMONIC DISTORTION AND NOISE:
      • @ 1 kHz, +20 dBu output level, no load: Better than 0.002%
      • @ 20 Hz, +20 dBu output level, no load: 0.05% Typical (2nd and 3rd harmonic)
    • NOISE (MAIN OUTPUT):
      • Un-weighted, 22 Hz - 22 kHz, source impedance 40 Ohm balanced, no load.
      • -101.1 dBu
    • FREQUENCY RESPONSE:
      • +/- 0.25 dBu from less than 10 Hz to 110 kHz
      • -0.32 dB @ 120 kHz
    • MAXIMUM OUTPUT LEVEL: +26 dBu @ 16 Hz to 20 kHz
  • TOTAL HARMONIC DISTORTION AND NOISE WITH SILK ENGAGED:
    • RED:
      • MIN TEXTURE @ 100 Hz, +20 dBu input level, no load: 0.0131%, mostly 3rd harmonic (typical)
      • MAX TEXTURE @ 100 Hz, +20 dBu input level, no load: 1.66%, mostly 2rd harmonic (typical)
    • BLUE:
      • MIN TEXTURE @ 100Hz, +20 dBu input level, no load: 0.0079%, mostly 3rd harmonic (typical)
      • MAX TEXTURE @ 100Hz, +20 dBu input level, no load: 0.941%, mostly 2rd harmonic (typical)
  • HIGH PASS FILTER:
    • Continuously variable swept frequency from 20 Hz to 250 Hz.
    • Slope: 12 dB/Octave
  • EQ NOISE: Un-weighted, 22 Hz-22 kHz: -92 dBu
  • SIGNAL PRESENT: Illuminates GREEN when input stage signal level reaches -20 dBu
  • OVERLOAD INDICATOR: Illuminates RED when input stage signal level reaches -23 dBu
  • DIODE BRIDGE COMPRESSOR:
    • NOISE (BW 22 Hz – 22 kHz):
      • 0 dB Makeup Gain: -84.5 dBu
      • +20 dB Makeup Gain: -64.2 dBu
    • TIME CONSTANTS:
      • Measurements taken represent full range achievable between 1.5:1 Ratio and 8:1 Ratio setting.
      • 0 dBu I/P 1kHz Burst Tone used for all recorded measurements.
      • Fast (TC1): Attack 180µS — 1.8mS // Release 100mS – 150mS
      • MedFast (TC2): Attack 750µS – 5.25mS // Release 160mS – 250mS
      • Med (TC3): 2.7mS – 18mS // Release 350mS – 525mS
      • MedSlow (TC4): 4.6mS – 38mS // Release 600mS – 1 S
      • Slow (TC5): 11mS – 72.5mS // Release 800mS – 1.25 S
      • Auto (TC6): 5.75mS – 35.5mS // Release T1 400mS – 850mS, T2 TBD
      • “Fast” Mode Multiplier: Modifies aforementioned TC’s by 70% of original value
  • PRODUCT DIMENSIONS: 19” (48.3 cm) x 10.5” (26.7 cm) x 1.75” (4.4 cm)
  • SHIPPING DIMENSIONS: 24” (61 cm) x 13” (33 cm) x 4” (10.2 cm)
  • SHIPPING WEIGHT: 12.25 lbs. (5.5 kg)

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